Instead, we were confronted with a jagged curtain, stained and blue, which covered most of the stage it slanted down the left side of the proscenium, as if a giant piece had been torn from it. The gilt-painted screen was up, however, for Elektra, the first show of the Lyric Opera’s new season (along with Verdi’s Simon Boccanegra, which runs concurrently). Between acts, and between shows, the stage at Chicago’s Civic Opera House is usually blocked from view by a solid mural painted with baroque figures in gold – perhaps the gaudiest feature of an already fussily ornate hall.
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